Alice Sheldon and the name of the Tiptree Award

Further update: Wednesday September 11, 2019.

We said we would be listening and we have. We’ve read your thoughtful and pain-filled emails, tweets, and Facebook posts. We are sorry for the harm that’s been done, especially to some of the most marginalized members of our community.

We recognize that the award is necessary to the community, but can’t go on under its existing name. Now we need to figure out what to do next and how to do it. We’re working on it. And we’ll say more within a month.

 

Update: Wednesday September 4, 2019.

We’ve seen some people discussing this statement and saying we’re refusing to rename the award. Of course it’s easy to read what we’ve written in that way; our apologies. While this post focuses on the reasons why we have not immediately undertaken to rename the award, our thinking is ongoing and tentative, and we are listening carefully to the feedback we are receiving. We are open to possibilities and suggestions from members of our community as we discuss how best to move forward. You can contact us at feedback@tiptree.org.

 

Content notes for discussion of suicide, mental illness, caregiver murder

In recent days, we’ve seen questions raised on social media about whether the name of the Tiptree Award should be reconsidered. The Award was named after James Tiptree, Jr., the persona under which Alice Sheldon published. The questions relate to Alice Sheldon’s actions at the end of her life. On May 19, 1987, she shot first her husband, Huntington Sheldon, and then herself.

The Tiptree Motherboard, the seven volunteers who administer the award, has been deep in intense reflection and conversation. While we are far from finished with our discussions, we wish to share some important information and some of our thoughts.

For reasons we share in this post, the Motherboard does not believe that a change to the name of the Tiptree Award is warranted now. But we believe that this is a very important discussion, and we do not think it is over. The community that has grown up around this award since its founding in 1991 deserves to have its voice heard in any conversation as significant as renaming.

Alice and Huntington Sheldon’s story

We on the Motherboard, those who remember Alice Sheldon and those who do not, have long known the story of how she and her husband, Huntington Sheldon (known as Ting), died.

Friends and family — and the science fiction community at the time — viewed this tragedy as resulting from a suicide pact: the desperate and tragic result of a combination of physical and mental illness and the Sheldons’ desire to die on their own terms. He was 84 years old; she was 71.

However, some who have read accounts of the Sheldon’s deaths more recently have pointed out a different interpretation. The story can also be seen as an act of caregiver murder: where a disabled person is killed by the person, usually a close family member, who is responsible for their support.

Both narratives fit the story. We see how much of the discussion of the Sheldons’ deaths, including our own, reflects the rhetorical tendencies identified in David Perry’s report, specifically the centering of those who kill over those who are killed. In the world outside of science fiction, Huntington Denton “Ting” Sheldon would be considered the more significant member of the couple. “Ting” Sheldon was Director of the Office of Current Intelligence of the Central Intelligence Agency (CIA) under Presidents Truman, Eisenhower, and Kennedy and is credited with building that office of the CIA.

In her 2006 biography of Tiptree, Julie Phillips quoted some sources who suggested that Ting may not have been ready to die. Since the conversation about the Sheldons’ deaths has become public, however, Phillips has shared further details from her research, reporting that Ting’s friends and family understood his death and Alice’s as the fulfilment of an agreement between the two of them. On Twitter, Phillips writes:

The question has come up whether Alice Sheldon (James Tiptree, Jr) and her husband Ting died by suicide or murder-suicide. I regret not saying clearly in the bio that those closest to the Sheldons all told me that they had a pact and that Ting’s health was failing.

Ting’s son Peter Sheldon also said there was a pact, and that Ting was declining. Alli probably wanted to die more than Ting did. But the pact didn’t have to do with his blindness or disability. He was going, and they chose to go out together.

In an email to the Tiptree Motherboard, quoted with permission, Phillips writes:

Ting didn’t leave a statement, but all Ting’s friends that I talked to plus his son Peter were unanimous that it was a pact, and that Ting’s health was failing when it happened. The only one who cast doubt on that was the lawyer who talked to her on the last night, James Boylan. He didn’t know either Ting or Alli very well, and I have doubts about how well he understood what was happening. I’m planning to write up what I know, because I left too much room for doubt when I wrote the book.

Putting Alice Sheldon’s death in the context of her life, Jeff Smith, Alice’s friend and literary executor and a longtime Tiptree Motherboard member, shares his recollection of it this way:

I knew Tiptree through correspondence, and Alli through phone calls and visits. She was very open about the suicidal tendencies that had plagued her throughout her life. She also told me that neither she nor her husband, Ting, wanted to outlive the other. (Whenever I talked to Ting, the subject never came up.) There were times when Alli said she had her gun out (including at least once when I was talking to her on the phone), but that “Ting isn’t ready yet.”

Ting’s health began to steadily decline. I hadn’t spoken to Alli in the weeks leading up to that final night, so I don’t know exactly what she was going through at that time. I know she wrote notes that she left around the house, with instructions and information that the responders and her lawyers might need. She took the unfinished manuscript of her last novella (a love story) out of her office and placed it in the living room. She called her lawyer and told him what she intended to do. He called the police, who got to the house while she was still making preparations. She convinced them the lawyer had misunderstood her. They checked in on Ting, and then they went away. Alli completed her task.

We her friends knew it was coming, but that knowledge didn’t make it less distressing. Could anyone have stopped it? Probably not: This was 1987, and the actual suicide note left out with all the new instructions was dated 1979.

We ultimately do not know what happened on May 19, 1987. We can’t know with certainty and we don’t see how anyone can know except the ones who cannot tell us. But we are as convinced as we can be, given the unknowability of the facts, by the evidence that Alice and Huntington Sheldon chose to die together.

We respect that not everyone who reads this will have the same interpretation. We recognize that the unconscionable murder of disabled people by their caregivers happens daily, driven both by the devaluation of disabled life and by the lack of available care and support. Therefore we do not seek to defend or exonerate Alice Sheldon, but to make sure the context of her actions remains part of any conversation about them. We are grateful to our community for raising these important issues and bringing them to our attention.

The “Tiptree” Award

Perhaps competing narratives about what happened in an unknowable, devastating moment more than 30 years ago are beside the point. We are in the midst of a movement away from naming awards after people, of putting intense weight on influential historical figures who inevitably disappoint when held up to scrutiny, especially at historical distance. If we want our award to continue into the future, we must be willing to re-examine the individuals, stories, and assumptions that have shaped it so far.

We think it is important to understand how the Tiptree got its name. In 1991, founding mothers Pat Murphy and Karen Joy Fowler made a conscious choice to name the award not after Alice Sheldon herself but after the assumed persona –– more than a pseudonym –– under which Sheldon published fiction and participated in fandom. In its conception, the James Tiptree Jr Literary Award hoped to acknowledge and celebrate Sheldon/Tiptree’s dual gender identity, the boundary-crossing work published under Tiptree’s name, and the havoc the revelation of Tiptree’s gender wreaked on the male-dominated science fiction world of the 1970s.

Sheldon was a complicated individual, aspects of whose personal story have long been woven tightly into and through the idea and spirit of the Award. Yet the Award was not intended to reference a figure whose approval winners might imagine gaining or toward whose example they might aspire, in the way that other awards named for iconic individuals – most notably the former Campbell – appear to do. Jeanette Ng’s speech reminded us that science fiction has long since eclipsed the bounds by which Campbell, whose racist and fascist sympathies are a matter of public record, hoped to define it. In renaming the Astounding Award, Dell Publishing moved the focus from creator to creation, honoring the publication (Astounding Science Fiction magazine) that he edited and whose reach and influence far exceeded his grasp. The Tiptree Award is already named after Alice Sheldon’s creation.

In the years since 1991, “Tiptree” has come to hold significant meaning in the SFF world, its reach perhaps even exceeding Sheldon’s own. “Tiptree” gets used as an adjective for stories that do something particularly interesting with gender; we often meet people who know of the Award through its winners and have not heard of Sheldon’s work or life. We are very wary of losing that history and recognition, which has opened significant doors for our honorees, and has helped us to sustain and expand the award over the last 27 years.

Discussions about the naming of the award relate to broader issues that the Motherboard has been contemplating for some time. When we return to the stories Alice Sheldon wrote as Tiptree, we often find a pessimistic tendency that can seem, at times, like a horrible foreshadowing (though this is far from the only way to read them). Tiptree’s work describes the contours of gender oppression acutely and rarely, if ever, sees a way out. We have been reflecting this week on how many of our feminist icons were also women who could not see a way out. Tiptree’s stories, then and now, provide scope for multiple and complex politics. If we look at the work of our honorees, winners, and fellows, among their greatest commonalities are broad, deep, and diverse commitments to finding, or creating, ways out.

We have been, before this current conversation, asking ourselves some questions. What would an Award look like, Tiptree or otherwise, that honored what we want to honor now, the complex and overlapping intersections through which gender is lived? That’s a question we can’t answer in one single burst of sustained self-reflection. We believe it is far more important to make the right decisions than to make decisions quickly.

And so: we do not think that an immediate renaming is called for at this moment. But we do not know what the future might hold, and we recognize that this Award belongs to the community that has supported and sustained it, at least as much as it does to us. Going forward, we will be reaching out to members of the Tiptree community to seek out their thoughts. Your voices are a necessary part of our reflections.

We will begin writing individually to members of our Tiptree community this week, as quickly as our schedules allow (which is rarely as quickly as we would like). If you would like to reach us in the meantime, please email feedback@tiptree.org.

2019 Tiptree Fellowship Applications Due October 31

For the fifth year, the Tiptree Award is welcoming applications for Tiptree Fellowships: $500 grants for emerging creators who are changing the way we think about gender through speculative narrative.

If you think that description could apply to you — even if you are not working in a format most people would recognize as part of the science fiction or fantasy genre — you are eligible to apply for a Fellowship. Tiptree Fellows can be writers, artists, scholars, media makers, remix artists, performers, musicians, or something else entirely. So far our Fellows have been creators of visual art, poetry, fiction, and games.

The Tiptree Fellowship is designed to provide support and recognition for the new voices who are making visible the forces that are changing our view of gender today. The Fellowship Committee particularly encourages applications from members of communities that have been historically underrepresented in the science fiction and fantasy genre and from creators who are creating speculative narratives in media other than traditional fiction. In keeping with the focus of the Tiptree Award, the selection committee is seeking projects that explore and expand understandings of gender, particularly in relationship to race, nationality, class, disability, sexuality, age, and other factors that set individuals or groups apart as “other.” Fellowship applicants do not need a professional or institutional affiliation, as the intention of the Fellowship program is to support emerging creators who lack institutional support for their work.

Applications are due on October 31, 2019. To apply, you will need to write short responses to two questions and to share a sample of your work – you can learn more about the application process at this link.

To read about the work of our previous Fellows, click on their names below:

The 2019 Fellows will be chosen by Rox Samer (committee chair), Gabriela Damián Miravete, Ana Hurtado, and Vida Cruz.

Gabriela Damián Miravete wins 2018 Tiptree Award! Honor and Long List Announced

Gabriela Damián Miravete has won the 2018 Tiptree Award for her short story “They Will Dream In the Garden,” translated by Adrian Demopulos and published online by Latin American Literature Today (May 2018).

About the Winner

“They Will Dream In the Garden,” a beautifully written and translated story, uses the future tense to imagine a Mexico in which femicides are already part of history. In a collective attempt by survivors to preserve memory and justice, traces of the minds of the women murdered are encapsulated in interactive holograms “living” in a beautiful garden. The story looks at the economic, social, and racial dimensions of violence against Mexican women today, focusing on indigenous women, poverty, and unemployment, on repression of women’s educational opportunities, and of women’s ability to move about freely. The story hints at positive change as some women decide to fight back through collective action, mutual support, and self-defense, eventually shifting the public perception of gendered violence and improving the actions of the next generation. By offering a possible look into the future, far from giving the sense of a closed chapter, the story itself is a device of memory preservation, a call to action, and a fine example of science fiction as a tool for feminist exploration and social change.

Gabriela Damián Miravete is a writer of narrative and essay, a film and literature journalist, a professor at CENTRO university, and (according to her bio) the imaginary granddaughter of Ursula K. Le Guin. Miravete was part of “The Mexicanx Initiative,” a group of Mexican and Mexican American artists who attended WorldCon 76. With other authors, artists and people from different scientific disciplines, she co-founded Cúmulo de Tesla, a collective that wishes to strengthen the relationships between art, science, and science fiction. She has published short stories in several anthologies in Spanish. You can find her work in English in Three Messages and a Warning, an anthology of contemporary Mexican stories of the fantastic (Small Beer Press, 2010) and in A Larger Reality. Speculative Fiction from the Bicultural margins, an anthology of 14 stories, presented in both Spanish and English.

The Tiptree Award judges also wish to recognize Adrian Demopulos, the translator of “They Will Dream in the Garden,” with a special honor for a wonderful translation.

About the Honor List

In addition to selecting the winners, the judges choose a Tiptree Award Honor List. The Honor List is a strong part of the award’s identity and is used by many readers as a recommended reading list. These notes on each work are excerpted and edited from comments by members of this year’s jury. This year’s Honor List is:

A collection of delightful, thought-provoking stories that fulfill the intended purpose of normalizing diverse pronouns as well as suggesting that the binary can be broken or even left behind. Buchanan writes: “In English, the personal pronouns we’re most used to are he and she. Not only do these require the speaker to know the gender of the person they’re talking about, but they only properly cover two genders. Humans don’t always fit in these boxes.” This collection addresses the complaint that people find it hard to learn new pronoun sets. Buchanan writes that the answer is to normalize new pronouns — “in conversation, yes, but also in our stories, in fiction, in all media. In stories about spaceships and about magic, heroism and exploration, families and home.” As an added bonus, the authors and editor make recommendations for other works to read.

This ghost story set in a small depressed Ontario town in the 1990s explores concepts around sexual agency and slutdom with extraordinary doses of humanity, humor, and lyricism. With issues of women’s sexual autonomy being currently (and always) very much under the spotlight, the author presents myriad ways in which the book’s characters’ sexualities clash with (or struggle under) patriarchal power structures and lays them across queerness, whiteness, poverty, religious and moral values, and public opinion. Through the eyes of the protagonist and of the queer ghost who is haunting her, the reader experiences the pains and thrills of inhabiting a gendered, sexualized, queer body in this story full of caustic language and powerful images. WARNING: descriptions of child sexual abuse and adult suicide.

This cerebral, investigative novel presents a future society in which humans have divided into Paxans and Outsiders. Paxans are committed to “a collegial, laterally organized meritocracy.” In this technologically advanced society, Paxans spend only a small portion of their lives in “meatspace” and the majority of their lives in virtual realities, inhabiting and conversing with their secondary and tertiary bodies, which represent selected and isolated aspects of their consciousness. Paxans have been given FTL travel by an alien race they call Delta Pavonians, and some women, cis and trans, are able and willing to undergo body modification and training to be able to communicate with the aliens. The story traces the mystery of a second alien planet, La Femme, and its telepathic inhabitants. The novel is an absorbing exploration of the many ramifications of the notion of gender and the myriad ways in which it is represented and exploited.

  • Meg Elison, “Big Girl” Fantasy and Science Fiction (Nov/Dec 2017)

A story about a common problem in society—fat shaming. This is especially a problem for women, both white and of color, and for teens who lack self-confidence and easily fall prey to ads and movie portrayals. With satirical condemnation of society and media reactions, this story portrays how internalizing the perceived norms of “feminine” leads to low self-esteem.

As the cover promises, so the book delivers: 15 graphic short stories by “seventeen women, demigirls, and bi-gender creators of color.” The rich heart-warming fantasy stories deal with folk tales, fairy tales, disability, immigration, race, grandmothers, baking, depression, romance, and much more magic. This anthology is a good way to find authors you’ll want to read again, and a great display of the dramatic potential and innovative storytelling in contemporary comics today.

An anthology of over 30 short stories and poems. About half were originally published in Glittership Magazine, and all have queer themes and characters. “The Little Dream” by Robin M. Eames (in which a character wears a t-shirt that reads “IN SPACE NO ONE CAN HEAR YOU INSIST THERE ARE ONLY TWO GENDERS”) and “Graveyard Girls on Paper Phoenix Wings” by Andrea Tang are particularly recommended. A wonderful variety of stories and a great way to find authors you want to read more of.

Because of a plague that kills men more frequently than women, one society in this polluted future has mostly women. But men still have more power and women still need to fear sexual assault. The other society is all women — many with special powers, including doublers who have multiple clone births, “starfish” who can grow new body parts, and girls given special treatment so they can help breast feed the multiple babies. The religion is Mother-based. A beautifully written novel.

This album follows the struggles, joys, incarceration, and eventual liberation of a queer, Black woman who is punished by a system that seeks to “cleanse” her of all elements in her life that deviate from the norm. She is sent to a prison in which her memories (each of which is a separate music video and an ode to mutual love in rebellion) will be erased. The workers in charge of the erasure, who sit back and enjoy the memories prior to destruction, serve as a sharp metaphor of the white supremacist, cisheteropatriarchal system that is obsessed with Black bodies and creativity while still remaining profoundly anti-Black. This concept album forms a cohesive science fictional narrative, introducing futuristic elements in a way that is rarely seen so explicitly in the medium, opening up new pathways for the musical exploration of feminist science fiction.

This story portrays a culture in which gender pronouns change depending on a multitude of factors for each individual at any given time. This story shows a character at the beginning of a new life whose sense of identity is affected by this new language with a multitude of unfamiliar pronouns. The story also touches on issues of immigration, poverty, unemployment, romance, and building a new family. The reader is given linguistic issues and endearing characters in a well-done story.

This young adult novel was translated from Swedish. In it, a society of women (in groups acknowledging the Maiden, Mother, and Crone) live apart from a patriarchal world. They populate their society by rescuing women and girls from poverty, evil men, and lack of education. The leader of the Abbey is the First Mother. This story is told in the time of the 32nd First Mother. The women of the Abbey preserve knowledge within a vast library. The novel ends with the narrator, a teenage girl, deciding to go back out into the world to see if she can help change how men and women see themselves and one another.

This visceral story with vivid writing explores in a literalized way the dysphoria that can come with being trans. The monster in the basement works as both a powerful metaphor and a plot device.

But Wait — There’s More!

In addition to the honor list, this year’s jury also compiled a “long list” of twenty-eight other works they found worthy of attention.

Now What?

The Tiptree Award winner, along with authors whose works are on the Honor List, will be celebrated at WisCon in Madison, Wisconsin during Memorial Day weekend. The winner will receive $1000 in prize money, a specially commissioned piece of original artwork, and (as always) chocolate.

Each year, a panel of judges selects the Tiptree Award winner. The 2018 judges were Margaret McBride (chair), Marina Berlin, Ritch Calvin, and Arrate Hidalgo.

The 2019 panel of judges will be chaired by Carol Stabile, and reading will begin soon. The Tiptree Award invites everyone to recommend works for the award. Please submit recommendations via the recommendation page. Full information on all the books mentioned above will be in the Tiptree Award database by late April 2018.

 

2018 Fellowship Recipients Announced

We are pleased to announce the selection of two Tiptree Fellows: Vida Cruz and Ana Hurtado.

Vida Cruz is a Clarion graduate and the first Filipina to win first place in the Writers of the Future contest. She was born in the Philippines and is currently based there.

In her application, Cruz described the many faces of feminism and resistance in the Philippines: “Together, warrior, witness, writer, and witch amount to a uniquely Filipino feminist identity that live on in strains despite the erasure of colonization. I hope to reclaim and round these out by telling stories led by such characters.” Funding from the Tiptree Fellowship will help Cruz continue her work on an ongoing series of alternate-history stories set in a present-day Philippines inhabited by Filipinos and local mythological creatures. Each story is written as a feature article by a sharp-eyed Filipina journalist who seeks to heal and galvanize her society by writing and bearing witness, and eventually by becoming a warrior and perhaps even a witch.

Cruz’s fiction has appeared in LONTAR (The Journal of Southeast Asian speculative fiction), Expanded Horizons, Broad Knowledge: 35 Women Up to No Good, Kathang Haka: The Big Book of Fake News, the Philippine Speculative Fiction series, and Phantazein.

Ana Hurtado holds an MFA in Creative Writing and Environment from Iowa State University and is a professor of English at Universidad San Francisco de Quito in Ecuador. Her work has been published in Uncanny, Strange Horizons, Noble/Gas Qtrly, RHINO Poetry, and other publications. Her writing falls under the genre of magical realism and reflects a blending of Andalusian traditions, indigenous cosmovision, and African mythology, all shaped by Hurtado’s Venezuelan origin and location in Ecuador.

In her application, Hurtado wrote about the role of ghosts in her young-adult novel-in-progress: “In this novel, gender is explored in the ‘real’ world and ‘ghost’ world; when these two collide, we understand how sexuality is fluid..…. With an entire cast of ghosts, my young adult novel wants to highlight the pre-Columbian cosmovision of ancestors: ancestors, like ghosts, never leave us – they are forever between us and with us, sharing their ancestral knowledge and guessing our future.”

The Fellowship Committee also awarded honorable mentions to Eleanna Castroianni, Theresa Hottel, Lulu Kadhim, Zora Mai Quynh, and Courtney Young.

The Tiptree Fellowship program, now in its fourth year, is designed to provide support and recognition for the new voices who are changing our view of gender today. Each Fellow will receive $500. The work produced as a result of this support will be recognized and promoted by the Tiptree Award.

Over time, the Fellowship program will create a network of Fellows who can build connections, provide mutual support, and find opportunities for collaboration. This effort will complement the ongoing work of the Award — that is, the celebration of speculative fiction that expands and explores gender roles in thought-provoking, imaginative, and occasionally infuriating ways.

The members of the 2018 selection committee for the Tiptree Fellowships were the 2017 Tiptree Fellows, H. Pueyo and Ineke Chen-Meyer, past Tiptree honoree Julie Phillips, and Motherboard member Gretchen Treu.

If you would like to donate to the fund for future Tiptree Fellowships, you can do so here. Let us know if you would like your donation to support the Fellowships program specifically.

To read about the work of our previous Fellows, click on their names below.

 

Applications for Tiptree Fellowships due October 31

For the fourth year, the Tiptree Award is welcoming applications for Tiptree Fellowships: $500 grants for emerging creators who are changing the way we think about gender through speculative narrative.

If you think that description could apply to you — even if you are not working in a format most people would recognize as the science fiction or fantasy genre — you are eligible to apply for a Fellowship. Tiptree Fellows can be writers, artists, scholars, media makers, remix artists, performers, musicians, or something else entirely; so far our Fellows have been creators of visual art, poetry, fiction, and games.

The Tiptree Fellowship is designed to provide support and recognition for the new voices who are making visible the forces that are changing our view of gender today. The Fellowship Committee particularly encourages applications from members of communities that have been historically underrepresented in the science fiction and fantasy genre and from creators who are creating speculative narratives in media other than traditional fiction. In keeping with the focus of the Tiptree Award, the selection committee is seeking projects that explore and expand understandings of gender, particularly in relationship to race, nationality, class, disability, sexuality, age, and other factors that set individuals or groups apart as “other.” Fellowship applicants do not need a professional or institutional affiliation, as the intention of the Fellowship program is to support emerging creators who lack institutional support for their work.

The deadline is coming up soon, but there is still plenty of time to submit – applications are due on October 31. To apply, you will need to write short responses to two questions and to share a sample of your work – you can learn more about the application process at this link.

To read about the work of our previous Fellows, click on their names below:

 

A note about the WisCon 42 Tiptree celebrations

This was originally posted at WisCon’s official blog. We are grateful to WisCon for making the post for us.

It has come to our attention that, at WisCon 42, our introduction and celebratory song & materials for Tiptree Award winning book Who Runs the World / The XY by Virginia Bergin contained language that suggested the novel portrays a trans-exclusionary view of gender. We want to apologize unreservedly for any harm this caused to audience members. While Bergin’s novel was exciting to the jury because of what they believe to be its trans-inclusive, non-essentialist approach to a trope that has often relied on a dangerously reductive understanding of gender, we also now recognize that the invocation of the trope can in itself be harmful.

Since the ceremony, the Tiptree Motherboard has spent time discussing what we can do to make sure a similar situation does not arise again. We have set in place a policy for vetting of future Tiptree songs and materials prior to public announcement, and we have reaffirmed our commitment to making sure each Tiptree Award jury incorporates a variety of backgrounds and perspectives. We also recognize that no oppressed community is a monolith and that any representative marginalized community member’s reaction, opinion and experience differs from another’s, and as such we need to be careful to include multiple marginalized perspectives in all aspects of the Tiptree organization, including the development and approval of celebratory materials for the winning work. This discussion is ongoing and we welcome suggestions and recommendations.
(more…)

Visit our online auction!

For those in the Tiptree community who aren’t attending the Tiptree Award auction at WisCon, we created an online auction. We don’t want you to miss out on all the fun—and the opportunity to possess something beautiful, really cool, or wonderfully odd.

So we put together an auction of ten items, all with a connection to the Tiptree Award—from an amazing silk-screened print created by Freddie Baer to a votive candle featuring Saint Karen Fowler for those who agree with Karen’s contention that writing should be more exuberant than is strictly tasteful.

Check it out. Submit a bid. The auction will run from midnight on May 15 to midnight on June 16. And as those of you who have attended the Tiptree Auction already know, extra karmic points for bidding prime numbers!

Success!

We are pleased to announce that our Giving Tuesday campaign has now raised more than $3000. The Tiptree Award can claim the full $2400 of matching funds available for this effort.

With $2400 in donations matched by dollar-for-dollar, we have raised over $5400. Our thanks to everyone who contributed to this campaign, to everyone who shared our call for donations on social media, and to the donors who offered to match donations.

It’s not too late to add your support to this successful effort. With your donations, you make possible our efforts to encourage the creation of speculative fiction that explores and expands our understanding of gender. And since the Tiptree Award is a 501(c)(3) nonprofit organization, all donations are tax-deductible.

Double Your Donation

November 28 is Giving Tuesday, a day to celebrate generosity and to remember that there’s more to the holidays than consumerism and commercialization. This year, the Tiptree Award is joining in this national day of generosity and giving.

How can you participate?

  • Consider making a donation to the Tiptree Award. Thanks to a group of donors, all donations made from now through the end of the year will be matched, up to $2400. Your generosity will be doubled. If we make our match, we’ll raise $4800 for the award —over half of our annual budget.
  • If you haven’t already, share the latest Tiptree winner and honor list with friends on social media. (What could be more generous than sharing a good book?)
  • If you’re shopping for holiday gifts, remember the Tiptree store. Our new edition of The Bakery Men Don’t See has many recipes that are perfect for holiday baking.
  • Help us get the word out on social media via Twitter and Facebook. (If you haven’t joined the Tiptree Facebook page or followed us on Twitter, now’s a good time.)

Events of the last year make it clear that our society still has a long way to go regarding gender issues. At the Tiptree Award, we think that the first step in moving forward is to imagine a new world, one that is feminist, decolonial, anti-racist, anti-ableist, anti-fascist, and supportive of all gender identities. We see the Award and the Tiptree Fellowships as investments in the imagination we need to create that future. With your help, we’ll raise the funds we need to continue supporting and promoting speculative fiction that imagines worlds that are very different from the one we live in today.

Thanks for your support!

A Farewell Message from Debbie Notkin

Debbie Notkin Tiptree Hoodie — 1Last November, after the disastrous U.S. election results, I resigned from the Tiptree Award motherboard. I have been involved with the award from immediately following Pat Murphy and Karen Joy Fowler’s creation of it more than a quarter of a century ago.

I remain deeply committed to the goals and work of the Tiptree Award. When I was trying to make this difficult decision, several people pointed out to me that the work of supporting transgressive artists is resistance, and I agree wholeheartedly. I just feel personally that it’s time for me to put my energy into other kinds of resistance and response.

Everyone on the motherboard and in the Tiptree organizing community has been completely and unambiguously supportive of my decision and this is my opportunity to thank them for everything they do, which is prodigious. It’s taken six months to write this letter to you partly because there’s been a lot to disentangle (and we’re still disentangling) and partly because part of me wants to stay centrally involved with this community that I love and admire so much.

I’m not going anywhere. I’ll be missing WisCon this year for the first time since we presented the very first Tiptree Award in Madison for reasons unrelated to the Tiptree Award, I fully expect to be back next year, and I eagerly await everyone’s con reports. I’ll miss seeing so many of you!

Debbie Notkin Tiptree Hoodie — 2I’ve established a personal Twitter account (@SpicejarDebbie) and will be following the Tiptree Award (of course!), so you can find me there,

Let’s keep changing the world together.